Posts tagged composite sketch

thecomposites:

Edward Rochester, Jane Eyre, Charlotte Brontë
Mr. Rochester, his foot supported by the cushion; he was looking at Adèle and the dog: the fire shone full on his face.  I knew my traveller with his broad and jetty eyebrows; his square forehead, made squarer by the horizontal sweep of his black hair.  I recognised his decisive nose, more remarkable for character than beauty; his full nostrils, denoting, I thought, choler; his grim mouth, chin, and jaw—yes, all three were very grim, and no mistake.  His shape, now divested of cloak, I perceived harmonised in squareness with his physiognomy…My master’s colourless, olive face, square, massive brow, broad and jetty eyebrows, deep eyes, strong features, firm, grim mouth.

thecomposites:

Edward Rochester, Jane Eyre, Charlotte Brontë

Mr. Rochester, his foot supported by the cushion; he was looking at Adèle and the dog: the fire shone full on his face.  I knew my traveller with his broad and jetty eyebrows; his square forehead, made squarer by the horizontal sweep of his black hair.  I recognised his decisive nose, more remarkable for character than beauty; his full nostrils, denoting, I thought, choler; his grim mouth, chin, and jaw—yes, all three were very grim, and no mistake.  His shape, now divested of cloak, I perceived harmonised in squareness with his physiognomy…My master’s colourless, olive face, square, massive brow, broad and jetty eyebrows, deep eyes, strong features, firm, grim mouth.

229 notes

thecomposites:

Edward Rochester, Jane Eyre, Charlotte Brontë
Mr. Rochester, his foot supported by the cushion; he was looking at Adèle and the dog: the fire shone full on his face.  I knew my traveller with his broad and jetty eyebrows; his square forehead, made squarer by the horizontal sweep of his black hair.  I recognised his decisive nose, more remarkable for character than beauty; his full nostrils, denoting, I thought, choler; his grim mouth, chin, and jaw—yes, all three were very grim, and no mistake.  His shape, now divested of cloak, I perceived harmonised in squareness with his physiognomy…My master’s colourless, olive face, square, massive brow, broad and jetty eyebrows, deep eyes, strong features, firm, grim mouth.

thecomposites:

Edward Rochester, Jane Eyre, Charlotte Brontë

Mr. Rochester, his foot supported by the cushion; he was looking at Adèle and the dog: the fire shone full on his face.  I knew my traveller with his broad and jetty eyebrows; his square forehead, made squarer by the horizontal sweep of his black hair.  I recognised his decisive nose, more remarkable for character than beauty; his full nostrils, denoting, I thought, choler; his grim mouth, chin, and jaw—yes, all three were very grim, and no mistake.  His shape, now divested of cloak, I perceived harmonised in squareness with his physiognomy…My master’s colourless, olive face, square, massive brow, broad and jetty eyebrows, deep eyes, strong features, firm, grim mouth.

229 notes